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Buzzcocks - Attitude Adjustment (Full Album) 2026. It’s punk rock with a Motown vibe! A new album should always have elements of surprise and create its own world, and this does! Legendary Manchester punk outfit BUZZCOCKS need little introduction. Back in 1977, they gave birth to a generation of independent labels with their debut EP ‘Spiral Scratch’. Thereafter, their melodic punk-pop proved irresistible, leading to hit singles and three landmark albums. The 12th studio album 'Attitude Adjustment' which is bursting with 14 brand new tracks that will delight fans of the iconic and much loved Manchester music institution. Support the artists buying the record: https://buzzcocks.bandcamp.com/album/...


Kula Shaker - Wormslayer (Full Album) 2026. Kula Shaker return with their 8th studio album, Wormslayer, reaffirming their place as one of Britain's most fearless and imaginative rock bands. Named after a 9th-century Indian poet king, the band have always existed in an alternate reality, mixing mysticism, psychedelia, and raucous rock 'n' roll energy. With Wormslayer, they continue that quest, creating a kaleidoscopic journey that feels both timeless and urgently fresh. Support the artists buying the record.


Van Morrison - Somebody Tried To Sell Me A Bridge (Full Album) 2026. Somebody Tried To Sell Me A Bridge, marks a confident return to the sounds and traditions that shaped much of his musical identity, paying homage to the legends who defined the blues genre with fresh interpretations of classics made famous by B.B. King, Buddy Guy, Leadbelly and more. Set for release through Orangefield Records, Somebody Tried To Sell Me A Bridge delivers a spirited, unfiltered blues experience from an artist whose connection to the genre runs deep. The album blends Morrison’s trademark grit and lyricism with the unmistakable emotional weight of classic blues, resulting in a collection that feels both timeless and fiercely alive. A standout feature of the album is its extraordinary roster of collaborators. Morrison is joined by some of the most respected figures in modern blues, including Taj Mahal, Buddy Guy, Elvin Bishop, and long-time musical collaborator John Allair, along with other long-standing collaborators, David Hayes, Bobby Ruggerio, “Friends Along The Way” associate Mitch Woods, Anthony Paule, leader of the Anthony Paule Soul Orchestra and the renowned Larry Vann on drums. Their combined contributions bring depth, character and authenticity to the record, each adding their own distinctive twist to Morrison’s vision. Recorded at Studio D in Sausalito, California, and engineered by long term associate Jim Stern with Ben McAuley. All revenue generated from this video goes to the copyright owner. Support the artists buying the record.


The Damned - Not Like Everybody Else (Full Album) 2026. London legends The Damned are the first band to record a punk rock single in 1976. To honor the passing of guitarist Brian James on May 5th, they released Not Like Everybody Else, a record featuring some of Brian's favorite classics. Recorded in Los Angeles, the album sees Rat Scabies return to drums after a years-long absence and concludes with the remastered live version of "The Last Time" by The Rolling Stones, in which James himself plays for the last time. Support the artist by buying the record: https://thedamned.allotment.pro


Lucinda Williams - World's Gone Wrong (Full Album) 2026. World's Gone Wrong is the 16th studio album by the American singer-songwriter Lucinda Williams, under Williams' own label Highway 20 Records with distribution by Thirty Tigers. Nine original songs composed by Williams and a cover of Bob Marley and the Wailers' "So Much Trouble in the World", seen here as a duet with Mavis Staples. The album also features additional guest appearances from Brittney Spencer ("The World's Gone Wrong" and "Something's Gotta Give") and Norah Jones ("We've Come Too Far to Turn Around"). The album was co-produced by Tom Overby and Ray Kennedy and recorded at the Room & Board Studio in Nashville, Tennessee. Support the artists buying the record.


T Bone Burnett - The Criminal Under My Own Hat (Full Album) 1992. The Criminal Under My Own Hat, an album by composer, singer, former Bob Dylan sidekick, and, above all, award-winning producer T Bone Burnette, from St. Louis, Missouri, has been reissued on vinyl for the first time by the Dutch label Music On Vinyl. The album was recorded in 1992, between Los Angeles and Nashville, and features illustrious and enlightened musicians accompanying Burnette, including Van Dyke Parks on accordion, Marc Ribot on guitar, Jerry Douglas on dobro, Jim Keltner on drums, and many others. Support the artist by buying the record: https://www.musiconvinyl.com/products..


Fontaines D.C. - Dogrel (Full Album) 2019. Dogrel is the debut studio album by Dublin post-punk band Fontaines D.C. The album was nominated for Album of The Year at the Choice Music Prize and Mercury Prize in 2019. Support the artists buying the record: https://fontainesdc.bandcamp.com/albu...


The Convenience - Like Cartoon Vampires (Full Album) 2025. The New Orleans-based duo of Nick Corson and Duncan Troast The Convenience explores an invigorating sound on their electric new LP, Like Cartoon Vampires. Support the artists buying the album: https://theconvenience.bandcamp.com/a..


Kula Shaker - Lucky Number EP 2026. Together with the recent singles ‘Be Merciful’, ‘Good Money’, ‘Charge of the Light Brigade’ and ‘Broke as Folk’, ‘Lucky Number’ provides further evidence that ‘Wormslayer’ is set to be Kula Shaker’s most vital album since their hit-packed debut album ‘K’ made them chart-topping, double-Platinum sensations. Their eclectic nature demonstrates that ‘Wormslayer’ is an album which never stays in one lane, detouring beyond its electrifying psychedelic heartbeat and into gothic crooning, pastoral folk and expansive mantra-metal. All revenue generated from this video goes to the copyright owner. Support the artists buying the album.


Deftones - Private Music (Full Album) 2025. Private Music is the tenth studio album by American alternative metal band Deftones. The album was produced by Nick Raskulinecz, who previously worked on the band's albums Diamond Eyes (2010) and Koi No Yokan (2012). It is the band's first album to feature Fred Sablan on bass. The band's first studio album since 2020's Ohms, Private Music marks the longest release gap between two Deftones albums. The album was nominated for Best Rock Album at the 68th Annual Grammy Awards. Support the artists buying the record.


Dr. John - Live At The Village Gate (Full Album) 2025. Malcolm John Rebennack Jr. aka Dr. John, from New Orleans, Louisiana, left behind many live recordings after his passing in 2019, and the one he made at the Village Gate in New York on March 5, 1988 is among the finest. The splendid lineup that accompanies it consists of the rhythm section of Richard Crooks (Bob Dylan, Paul Simon) on drums, Wilbur Bascomb (James Brown, Jeff Beck) on bass and the congas of M. Trazi Williams. Joe Caro is on guitar and Ronnie Cuber, Lou Marini ( The Blues Brothers) and Lew Soloff (Blood, Sweat & Tears) are on horns. Highly recommended. Support the artist by buying the record: https://omnivorerecordings.com/shop/l...


NOFX - A To H (Full Album) 2025. The project is called A to Z, one song for each letter of the alphabet, each edition on classic black as well as limited coloured vinyl available. And the first installment, "A to H", is due out on December 5 via Fat Wreck Chords. Included on it is "Barcelona," which they released back in July but originally came up with 12 years ago. They wrote and recorded after their final shows, and call it the "newest and last NOFX song." Support the artists buying the record: https://nofx.bandcamp.com/album/a-to-h


Dove Ellis - Blizzard (Full Album) 2025. Blizzard is the debut album by twenty-two-year-old Irish musician from Galway Dove Ellis. Self-produced, it was greeted triumphantly by critics and audiences is preparing to be welcomed among the best album releases of 2025.A perfect, emotional album that brings to mind the great Jeff Buckley for his interpretation and vocal timbre, even without being a true copy. Dove Ellis is a name to keep in mind for the near future, even if the present is already a certainty. Support the artist by buying the record: https://doveellis.bandcamp.com/album/...


A tribute to The Clash. A tribute to The Clash with Dropkick Murphys, Sham 69, Primal Scream, Living Colour, The Specials, Levellers and many more! Full tracklist below. Thanks for watching! Don't forget to SUBSCRIBE!


Nine Inch Nails & David Bowie - The Classic Collaborations Radio Broadcast 1995. The Outside Tour, with David Bowie and Nine Inch Nails co-headlining, opened on 14 September 1995 at Meadows Music Theatre in Hartford, CT, with Prick as support band. On selected dates Reeves Gabrels performed songs from his album, The Sacred Squall of Now in addition to performing with Nine Inch Nails and David Bowie. The opening of the concert tour preceded the release of the 1. Outside album which was released on 25 September ‘95. • In a 2012 Rolling Stone reader’s poll, the tour (pairing Nine Inch Nails with Bowie) was named one of the top 10 opening acts in rock history. • The tour was Bowie’s first since he retired his hits with his previous Sound+Vision Tour (1990). He said at the time, “We’re going to play some older material, sure, but not obvious things. I found, while rehearsing for the [Outside] tour, that older songs I haven’t played for years suddenly fit in with this new material quite well – things like … ‘Joe the Lion.’ So, I’m quite looking forward to it.” Other songs from Bowie’s back catalogue that he performed during the tour include ‘Scary Monsters’, ‘Look Back in Anger’, ‘Andy Warhol’ and ‘Breaking Glass’. • Bowie discussed later why he chose to tour with Nine Inch Nails: • “I personally did like the combination of NIN and me, but my fans didn’t. Bad luck!! It also was an extremely young audience, between about 12 and 17 years old. My starting point was simply: I’ve just made an adventurous album, what can I do now to turn the concerts as adventurous. Looking at it in that way, it seemed logic to confront myself with the NIN audience. I knew it would be hard to captivate them by music they never heard, by an artist whose name was the only familiar thing.”

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